"I don't want to be introduced, because I don't want this to seem like a formal occasion." So begins a conversation in February 1983 at the Cinémathèque frança...
It's been eight months since I've seen Garrett Bradley's poetic masterpiece Time at its Sundance Film Festival premiere, still reeling from its intense emotion...
After carving out an impressive, varied career in front of the camera (as well as a wealth of other artistic endeavors), Viggo Mortensen recently embarked on h...
There was recently a Twitter thread going around asking which director has never made a bad film. Among my picks was Claire Denis, and one of the highlights in...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Simon Killer, Afterschool, and Christine director Antonio Campos is back with his most ambitious project yet, the gothic drama The Devil All the Time. Featurin...
It was only a few months ago we got the trailer for Zhang Yimou's forthcoming crime drama Under the Light and it looks like the director has been working at a ...
On the day their gorgeous Agnès Varda box set arrives, The Criterion Collection has announced details on their next director collection. In celebration of his ...
We don't normally report on every behind-the-scene piece of dealmaking in Hollywood when it's not precisely tied to a new film, but a development today signals...
In a pandemic-free alternate reality there's a chance we may have gotten Andrew Dominik's long-gestating Marilyn Monroe biopic Blonde this year, but Netflix ha...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
