David Fincher's long-awaited Mank has finally arrived on Netflix and while your mileage may vary regarding the film itself (Nick Newman skewed on the negative ...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
This summer, some blowback was stirred up when the first images from Studio Ghibli's first fully 3D CGI animation arrived. Earwig and The Witch, Goro Miyazaki'...
Congratulations. You've almost endured the hellscape that is 2020. As we look towards the final month of the year, things are looking brighter on the cinema si...
The reign of bigotry and terror from Donald Trump and his administration can often take the form of a myopic view for those in the United States, witnessing on...
As with most festivals in a pandemic world, Slamdance Film Festival is changing things up with their 2021 edition. Moving a few weeks back to February 12-25, n...
The many breadcrumbs David Lynch has been dropping about an upcoming major project has now led to some tangible information about what we can expect from the a...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Let the best-of-the-year lists commence. While guilds and critics groups will soon be delivering their opinions, one of the few of genuine interest each year c...
As the year winds down, it's become increasingly clear there will not be better film released in 2020 than Garrett Bradley's poetic, urgent masterpiece Time. I...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
