As complex and conflicted as the man himself, Rudy! A Documusical––which premiered on the same evening as the first primetime January 6 hearing––never quite kn...
A random VHS tape of a Mcdonald's janitorial training video serves as ground zero for Joe Pickett and Nick Prueher’s lifelong obsession with obscure video clip...
If the apocalypse comes, we’re all screwed. Fancying himself a survivor with a desire to provide for his family should “things go south," Joe (Clayne Crawford)...
After struggling to find its footing over an initial season, Loren Bouchard’s Bob’s Burgers has become one of the most delightful half-hours on TV. Its feature...
Dolly Parton was everywhere at SXSW, from her documentary Still Working 9-5 to her collaboration with Blockchain Creative Labs which involved both a well-recei...
An authorized but often unflattering portrait of rapper Jahesh Dwayne Ricardo Onfroy, known as XXXTentacion, Look at Me is a comprehensive study of his career,...
A good deal more restrained and nuanced than The Craft and Carrie, Raquel 1:1 takes itself perhaps a little too seriously, presenting a rather straightforward ...
British-born Andrea Riseborough deserves credit for her ability to seemingly morph into any character like a chameleon. With veteran TV director Michael Morris...
Beginning with a departure in the dead of night in the middle of winter, and ending perhaps where its lead Tana (Lily Gladstone) was destined to go, Morrisa Ma...
A current of loneliness runs through Danny Cohen’s beautifully haunting Anonymous Club, a rich documentary filmed in 16mm chronicling little more than a year i...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
