Foregoing the emotion at the core of Juan José Campanella’s Oscar-winning drama The Secret in Their Eyes, Billy Ray’s cold procedural remake (titled Secret in T...
Love the Coopers is as problematic as its title. Does it mean love from the Coopers or is it a statement that someone loves the Coopers (perhaps its narrator --...
Conceived well before Slate’s Forrest Wickman would argue against subtlety, The 33 could be a poster child for his essay: here’s a film that doesn’t beat around...
For the uninitiated, Samba Gadjigo and Jason Silverman’s Sembene! offers a valuable entry into the canon of African cinema and its founding father: the late, gr...
Making her narrative directorial debut, actress Ally Walker's earnest, if not subtle Sex, Death and Bowling is by no means a groundbreaking film on any of these...
What is there to say about Scouts Guide to the Zombie Apocalypse that its title doesn’t say? At first glance, it seems to be the perfect picture for seventeen-y...
What a difference a year makes. The loveable Bill Murray gave one of his most touching and bittersweet performances last fall in St. Vincent. This year, Murray ...
A performative exploration of Australia’s own Orry-Kelly, perhaps most infamously known as Cary Grant's lover, Women He's Undressed is a playful look at the man...
An angry satire, Thank You For Bombing, the latest film from Barbara Eder (Inside America) takes dead aim upon the industry of journalism in war zones. No one i...
The Family Fang provides fuel for a future auteur study of its director Jason Bateman: haunted by his past as a child actor, his work in front of and behind the...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
