John Fink

[Sundance Review] Under the Shadow

Cinema is often a space for abstract, subconscious expressions that require airing. Under The Shadow is an inspired psychological thriller from Iranian filmmake...

[Sundance Review] Lovesong

Tender and haunting, So Yong Kim’s Lovesong is a carefully observed, nuanced character study beautifully written, directed and edited. Much of the action, like ...

[Sundance Review] Yoga Hosers

They may be “red and white and never blue” and they may “not even supposed to be here today,” but the clerks of Eh-2-Zed are certainly having an abnormal adoles...

[Slamdance Review] Chemical Cut

A wise woman named Sheryl Crow once said, “a change will do you good." For Irene, a pretty 23-year old-ish artistically inclined misfit, it’s as simple as a hai...

[Sundance Review] Outlaws and Angels

Three bank robbers walk into a dysfunctional home on the prairie in JT Mollner's cold-blooded Outlaws and Angels, filmed and premiering at Sundance in glorious ...

[Sundance Review] Film Hawk

Perhaps the most inside-baseball of films at Sundance this year, JJ Garvine and Tai Parquet’s Film Hawk is an intimate look at film consultant extraordinaire Bo...

[Sundance Review] The Fits

An exploration of movement, motion, liminality, childhood and racial politics, The Fits is a fascinating psychological study of Toni (fearlessly played by Royal...

[Review] Dirty Grandpa

When it works, it works -- and, more often than not, Dirty Grandpa lands big, sometimes awkward laughs. While more Todd Phillips than Solondz, director Dan Maze...

[Review] Ride Along 2

We get it. Ice Cube is the stone-cold straight man and Kevin Hart is incapable of subtly. The first Ride Along was an occasionally fun romp; imperfect, but it k...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.