John Fink

[Review] Becoming Mike Nichols

Tracing the early career of the prolific filmmaker, from his early collaborations with Elaine May to his first few adventures in Hollywood, Becoming Mike Nichol...

[Review] Regression

Absurdity turns quickly to boredom in Alejandro Amenábar’s Regression, the latest picture unceremoniously dumped by The Weinstein Company to your local multiple...

[Sundance Review] Nuts!

A story so absurd it requires animation to be told, Nuts!, directed by Penny Lane, continues the filmmaker’s interest in personal histories, following her 16mm ...

[Sundance Review] Antibirth

Ugly and occasionally entertaining, the female-led Antibirth is a punk rock horror thriller set in a decaying suburb somewhere in Michigan. Opening in the middl...

[Sundance Review] Life, Animated

Another uplifting, inspirational documentary on the subject of autism and one family’s struggles, Life, Animated follows the story of the Suskind family and the...

[Sundance Review] White Girl

Testing the patience and sanity of its audience, White Girl plays like one of those nights where a friend lets their freak flag fly while you’re the sober one e...

[Sundance Review] The Greasy Strangler

If a tree falls in the forest, does anyone hear it? By the same token, if a midnight movie premieres on VOD or screens at an empty AMC multiplex at 2PM, is it s...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.