In the land of the blind, the one-eyed man is king, which is one of the lessons that the protagonist at the heart of Ido Fluk’s moral thriller The Ticket learns...
The Check It, like many other gangs, arrived out of necessity to protect their own. In the case of the Washington, D.C.-based gang which counts over 250 members...
Somewhere between Jiro Dreams of Sushi and Food, Inc., at the intersection of culinary adventure and social justice, Nordic Food Lab’s head chef Ben Reade and l...
Keep Quiet is a chilling and comprehensive documentary following the path to redemption – or a calculated political act – for Csanad Szegedi, a right-wing anti-...
Calling for a national conversation that we ought to be having on the use of lethal force, National Bird considers all sides of the program, from those pulling ...
Providing an escape valve for Andrew Kevin Walker, known for far more serious films about would-be serial killers (8MM, Seven), Nerdland is an almost biting com...
Morbid curiosities make for unusual romantic comedy fodder in Ingrid Jungermann’s perceptive and often very funny Women Who Kill. Set on the streets of Brooklyn...
The central problem of making a film about secretive organizations and pyramid schemes like Scientology or Herbalife is that they can retain some control of the...
Throw Boogie Nights, Shooting Porn, Downloading Nancy, and Party Monster in a blender, add some cocaine, a scope of whey protein and squirt of lube and you’ve g...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
