Nobody Speak: Trials of the Free Press uses a salacious story and website as the launching pad to discuss where we currently are, so much so that I imagine dire...
Sick and twisted for the sake of being sick and twisted, Kuso is a certainly not a film for everyone, or perhaps anybody. I imagine the experience is like being...
What starts as an institutional romance quickly becomes something altogether different in Carpinteros (Woodpeckers), a drama-turned-prison thriller from the Dom...
Written and directed by Marti Noxon, To the Bone is an occasionally harrowing drama geared towards the YA crowd from a filmmaker that knows the terrain well, ha...
Just because you can make a film seemingly in one take doesn’t mean you should. In fact, the seams of Bushwick are so obvious I hope if it does enjoy a theatric...
Resisting a deep racial analysis in the vein of I Am Not Your Negro, master satirist Jordan Peele’s horror comedy Get Out requires an audience ready to hoot, ho...
One of the more emotionally taxing features to earn the classification of “midnight movie” -- at least in this year’s Sundance program -- fearless writer-direct...
A gentle and often whimsical look at the art of raising children at Ireland’s only primary boarding school, Headford, School Life is a warm work of cinéma vérit...
Highlighting the economies of migrant workers from Nepal, India, Ghana, and Kenya living and working in Qatar as the country prepares for the 2022 FIFA World Cu...
Dedicated to Michael Brown Jr., Whose Streets? is an alarming and vital documentary chronicling the grassroots formation of Black Lives Matter as well as effort...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
