Playfully divided into “Lots," Barry Avrich’s sweeping and enlightening Blurred Lines: Inside the Art World investigates the entire ecosystem that comprises the...
Punctuated with banter about the best places to score, which gas station bathroom is the best for shooting up, which neighborhoods have cops roaming, where in d...
Executive produced by its subject, Julian Schnabel: A Private Portrait offers access to the painter, filmmaker, and amateur extreme sportsman with commentary ab...
The Strange Ones is a maddening, yet exceptionally-directed debut feature from acclaimed short filmmaking duo Lauren Wolkstein and Christopher Radcliff, adapted...
Welcome to Lullaby, NJ, population 506, the fictional town at the center of Jody Lambert’s delightful comedy Brave New Jersey “where strangers are friends and n...
Unintentionally timely, A River Below may be read as a Trump-era document, a tale of environmentalists versus local industry. The film begins deceptively simple...
Jamie Meltzer’s True Conviction explores a quasi-detective agency in Dallas (seemingly run out of the the Hickory House BBQ restaurant) founded by three men who...
Searching for meaning in retirement, Kenny Anderson, an NBA All-Star in 1994, finds himself at a crossroads: he’s a charming man who gets exactly everything he ...
Exploring the personal and geopolitical political fall-out of the Elián González saga, Ross McDonnell and Tim Golden’s documentary is a comprehensive look at wh...
At about the hour mark, I was very glad to see the filmmakers and subjects of Flames, Zefrey Throwell and Josephine Decker, had entered some kind of counseling ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
