It's never an easy feat to examine cultural phenomenons when the people telling the story are close to the subject, but Being Frank: The Chris Sievey Story make...
While on its surface, Sadie is not an explicitly political film about the present American condition, it is a story of the “forgotten men and women” hidden from...
Blockers doesn’t pull off the impossible so much as it turns the tables on a common formula, finding something fresh, empowering, and hilarious in that time-old...
Attempting to create an oral history of teenhood through the “filter” of Instagram, Jonathan Ignatius Green’s Social Animals is partly a combination of after-sc...
Opening with a whimsical shot of Leigh (lead actress and screenwriter Meredith Johnston) wandering around an empty small-town landscape past a carnival winding ...
One of the ideas of More Human Than Human, directed by Tommy Pallotta and Femke Wolting, is to have a computer replace a filmmaker, asking participant questions...
It was a stranger than fiction bromance that brought together Russian gangster Ludwig “Tarzan” Fainberg, black market luxury car importer Juan Almeida, and inte...
Chronicling the making of the United Nation’s first Goodwill Ambassador for the Dignity of Surviving Victims of Human Trafficking, Alexandria Bombach’s On Her S...
The Guilty is an exhilarating, minimalist thriller that effectively sinks its hooks in, despite its bland, melodramatic title. In the vein of Locke and My Dinne...
RBG is an essential documentary for the adoring fans of Associate Supreme Court Justice Ruth Bader Ginsburg aka The Notorious RBG, according to some millennials...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
