Diagnosing the fire that fuels the extreme right wing in Sweden as well as the business interests (publications, record labels, the political machine) that it p...
As far as PG-13 horror films released in January go, Escape Room exceeds expectations despite a fairly sloppy (yet efficient) set-up which traces three of the s...
Playing out like a Saturday Night Live or Funny or Die sketch that does go on for a beat–or several hundred–too long, writer-director Etan Cohen’s adaption of S...
A time capsule that’s as fresh and powerful an experience as it must have been when recorded live in Watts in 1972, Amazing Grace is arguably one of the year’s ...
Who among us hasn’t watched a TV series and felt as if we had gotten to intimately know our favorite characters? Certain shows barely get the opportunity to “ju...
Expanding on one of the stories I first encountered on the NPR StoryCore podcast, The Interpreters is an alarming call to action exploring the human cost of war...
A loving tribute through the eyes of Jakob Dylan and friends, Echo in the Canyon offers a behind the scenes approach to recapturing the magic of the mid-60s era...
It’s projected that over 500,000 cats roam the streets of New York each year, abandoned by their owners causing a nascence for their communities and a real prob...
Breaking the rules and providing kids a space to hang out and be kids, Nickelodeon proved to be a progressive network one sliming at a time. As documented in th...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
