Framed with a haunting letter from his grandfather Jack, Everybody’s Everything is a messy portrait of deeply flawed rising star Lil Peep, who passed away at ag...
Set in the pre-broadband era of Las Vegas, 1998, Numa Perrier’s Jezebel is a sensitive rather than exploitative look at legal, entry-level sex work that’s reali...
It’s unthinkable to imagine the intimacy and immediacy of a self-shot film like For Sama even just years ago, without the access to DSLR and mobile phone camera...
A triumph for diversity in casting, The Peanut Butter Falcon is an enormously endearing and often funny drama about two outlaws: Zac (Zack Gottsagen), a 22-year...
An evocative meditation on sight, cinema, and the tools of filmmaking, Rodney Evans' latest feature documentary Vision Portraits is an intimate and generous loo...
Similar to last year’s inclusive comedy Blockers–which proved teen girls deserve their own kind of high school sex comedy like the boys have enjoyed for years–Y...
If Fight Club taught us one thing and one thing only it is to never underestimate the power of a bored single man with nothing to lose. And that is, in some way...
The latest opus of debauchery from the great Harmony Korine, The Beach Bum continues his more playful streak, full of carefree possibilities while existing in r...
Equal parts cruel and sympathetic, Colby Holt and Sam Probst’s Pig Hag is a shocking indie debut occupying the psychological space of Jodie (Anna T Schlegel), a...
Nothing Stays The Same: The Story of The Saxon Pub functions as both a local interest story and something deserving of greater attention. The battle to keep Aus...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
