A disaster horror comedy that’s equal parts Can’t Hardly Wait and Idle Hands, Kyle Mooney’s directorial debut Y2K is often hilariously sincere in its depiction...
It is possible that one day an excellent narrative feature in the vein of The Big Short, BlackBerry, Dumb Money or Margin Call will be made about MoviePass, a ...
It was Mark Twain who said, “History doesn’t repeat itself but it often rhymes,” which is one way of approaching Belgian filmmaker and multimedia artist Johan ...
A film about growing up in your father’s shadow that mostly (and unexpectedly) examines the role of women as community pillars and violence interrupters, Sujo ...
Filled with wonderful musical performances exploring the 30-year career of Luther Vandross, Dawn Porter’s sweeping biographical documentary Luther: Never Too M...
In a voicemail to a crush two years her senior, Mira (Preeti Panigrahi) wonders if her feelings are “puppy love maybe it’s big dog love." Directed by Shuchi T...
A striking film that evokes a wave of emotions, Natalie Rae and Angela Patton’s Daughters is another picture––à la Rudy Valdez’s The Sentence, Garrett Bradley’...
A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt do...
Editor's note: Following the publishing of our review, we received word from Brenden Dawes, who developed the generative system used by the filmmakers of Eno,...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
The ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
