The all-female punk band that defined mall culture in the early 1980s with the opening tune of Fast Times at Ridgemont High, The Go-Go's are still shockingly k...
If you’ve been paying attention in this digital age, The Social Dilemma will not tell you what you already did not know. Director Jeff Orlowski, best known for...
A unique and authentic film that captures African American life in deep in heart of Fort Worth, Texas, Channing Godfrey Peoples' Miss Juneteenth is a warm and ...
An immersive documentary, Jerry Rothwell’s The Reason I Jump places us internally within the mind of the nonverbal autistic, allowing empathy to flow in. Inspi...
Call him the Bernie Sanders of Kenya. In a country where voters come with their hands out seeking bribes, Boniface “Softie” Mwangi has been able to raise enoug...
Playwright Radha Blank’s spirited directorial debut The 40-Year-Old Version in an often hilarious and heartfelt autobiographical tale of reinvention. Surrounde...
A profound and poetic passage and a playful Fitzcarraldo allusion aside, Omniboat: A Fast Boat Fantasia is a shockingly bad picture. Omnibus (er, boat) flicks ...
Lush and elegant with beautiful performances, the jazzy period melodrama Sylvie’s Love plays many notes exceptionally well. It’s a shame its plotting and pacin...
Opening with a jarring, heart-stopping scene in which David (Clayne Crawford) points a gun at his sleeping wife, Robert Machoian’s The Killing of Two Lovers is...
Any community or movement requires the support of curators and fans to flourish. Spike and Mike are credited with investing in a market where one didn’t exist ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
