In what could be a companion piece to Mario Furloni and Kate McLean’s cannibusiness drama Freeland, Chris J. Russo’s Lady Buds is an exploration of newcomers a...
Arriving at an energizing time in American history (the arrival of a new administration looking to reset certain international priorities), Dror Moreh’s The Hu...
Quite literally saved by her little sister Amelia, school shooting survivor Vada (Jenna Ortega) is thrust out of her seemingly normal life into an extended per...
A nuanced and occasionally moving drama about an estranged family, Bradley Grant Smith's Our Father features an arc that perhaps sounds too common: siblings ta...
Before diving into Natalie Morales’ often charming Language Lessons, I approached the film with a certain skepticism. After a year of endless Zoom meetings, Fa...
Long before the days of going viral with a scam to share wealth with whomever retweets a comment, there was Michael J. Brody Jr., an Oleomargarine heir and all...
With a deliberate pace, Sonia Kennebeck’s United States vs. Reality Winner quietly directs its outrage towards the injustice faced by 25-year-old whistle blowe...
The Hunt for Planet B is an evocative documentary about something everyone has pondered at one time or another: is there another evolved planet beyond our gala...
One of the tools of the trade that 22-year-old domino artist Lily Hevesh shares with a group of families at Rensselaer Polytechnic Institute is the importance ...
Many companies these days throw around terms like “innovation," “digital transformation,” and “entrepreneurial culture” without actually doing anything unique,...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
