When Yeon Sang-ho was conceiving his new film Peninsula, the much-anticipated follow-up to his surprise 2016 hit zombie action film Train to Busan, there was n...
Few films come out in any given year with creative choices as baffling as the ones made by Edward Norton’s Motherless Brooklyn. The story goes that when the nov...
There are two consistently pervasive ideas in the films of New York filmmaking duo Josh and Benny Safdie. The first is their clear affection for the art and cr...
“The way it’s made an’ the way it works ain’t like no way o’ God’s world. It’s some’at from beyond.”
— H.P. Lovecraft, Color Out of Space
Color Out of S...
German actor-director Ina Weisse brings a sense of quiet severity to her latest film The Audition, which intimately follows Anna (Nina Hoss), a violin instructo...
Contemporary, commercial Christian spaces are under the microscope in Disco, Norwegian filmmaker Jorunn Myklebust Syversen’s sophomore feature, which opens on a...
“Ever thought of running away?” “Where to?”
This exchange comes late in The Wild Goose Lake, the latest film from stylish Chinese genre filmmaker Diao Yinan (p...
Mia Hansen-Løve has carved a unique career for herself as a filmmaker of tacit sensitivity and stories on the margins of more familiar ones. Eden traversed the ...
Shinya Tsukamoto introduced his latest film Killing at the Toronto International Film Festival as a “desperate scream.” The writer, actor, director, cinematogra...
