Ever since The Big Short, Adam McKay’s winking and sardonic explainer about the 2008 financial crisis, a redundant cottage industry of similar-minded criminal ...
There are a lot of ways A Different Man could go and a lot of things it could be. Aaron Schimberg’s uniquely uncomfortable, uncomfortably unique feature someti...
Before the early-morning Sundance premiere of Freaky Tales, one of the festival’s programmers introduced the movie as an explosive, crazy ride that would ...
Near the end of Love Lies Bleeding, someone eats a large black beetle. It happens in a moment of abrupt anger, and it’s bitten into so forcefully that it's as ...
Ask enough people what they think about psychics and clairvoyants, and you’ll probably get eye-rolls. Whether referencing the storefront tarot readers or the m...
A cosmic love story that takes place over 13.7 billion years about a floating buoy and a satellite circling the earth, Love Me might best be described as a dom...
One of the biggest hits at Sundance and winner of the festival’s U.S. Documentary Grand Jury Prize in 2020, Boys State was a rare window into teenage politics ...
At the beginning of Thelma––a loveable, low-stakes joyride from director Josh Margolin––the movie’s eponymous 93-year-old grandmother sits on the couch with he...
The opening minutes of Silent Night promise something fun. There’s Joel Kinnaman, dressed in a Rudolph the Red-Nosed Reindeer sweater, sprinting in super-slow-...
About halfway through playwright Annie Baker’s self-assured and pitch-perfect directorial debut Janet Planet, 11-year-old Lacy (Zoe Ziegler) rolls over in bed ...
