Rachel Lears’ Knock Down the House is a fun, emotionally powerful, inspiring look at the incredible wave of would-be politicians that sought, in 2018, to challe...
Star of the debate team, straight A student, soon to be high school valedictorian: from his handsome looks and stellar CV, Luce (Kelvin Harrison Jr.) is the shi...
The aftermath of a sexual assault—the cell phone footage of which goes viral—is the subject of Share, writer-director Pippa Bianco’s debut feature film that def...
Comparisons to Ari Aster’s Hereditary are legitimate from pretty much the opening scene of The Lodge, Severin Fiala and Veronika Franz’s follow-up to Goodnight...
At the Sundance berth of Grant Sputore’s I Am Mother, an Australian sci-fi chiller in need of some trimming, I found myself far more concerned with the producti...
Amusingly, Penny Lane’s documentary Hail Satan? is interested in clarifying one critical misconception about the Satanic Temple: its members don’t, in fact, wor...
In Native Son—artist Rashid Johnson’s feature film debut and adaptation of the 1940 Richard Wright novel of the same name—Moonlight’s Ashton Sanders finds himse...
