It feels like a lifetime ago that I watched I Carry You With Me. It was a Sundance press screening in the middle of my busiest day at the festival, and frankly...
Chaitanya Tamhane’s second feature-length film, The Disciple, trains its camera on characters to explore their entire person. Tamhane intentionally stages his ...
If you go on Kurt Kunkle’s Instagram, you will find stories filled with “pull yourself up by your bootstraps” American happy talk. Kurt leans in, and mostly fa...
Filmmakers Jesse Moss and Amanda McBaine have a unique niche among documentarians: their work, together or apart, often involves liberal people in conservative...
Discovering Sy Rogers was a big deal for me. As a gay kid in Pensacola, FL, I learned early on that my “same-sex attraction”––as it’s often called in conservat...
At the same time when Title VII of the Civil Rights Act of 1964–which explicitly prohibits discrimination based on "race, color, religion, sex, or national ori...
Abel Ferrara is debuting his newest film with longtime collaborator Willem Dafoe, Tommaso, as a virtual cinema release due to the ongoing conditions COVID-19 u...
The New York Film Festival’s Dennis Lim delivered director Albert Serra to me in the lobby of the Elinor Bunin Munroe Film Center during the 57th edition of th...
The story of Ned Kelly and his gang is the focus of director Justin Kurzel’s new film, but the Australian bushranger isn’t new to the cinema. The Story of the ...
In the two decades since his passing, Stanley Kubrick's filmmaking vision continues to be a subject of endless curiosity. Documentarian Gregory Monro’s newest ...
