If you've ever worked an office job wherein every single one of your bosses has been promoted above his/her aptitude, you know what futility feels like. You sla...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
When someone kills seventeen people over a thirteen-year span with words like necrophilia and cannibalism circling each murder, sympathy for the predator — not ...
It's easy for Americans to look at a film like Eli Roth's Hostel and find themselves afraid of the situation presented as one they could fall prey to if the cir...
Beyond the tragedy of Gord Downie's terminal cancer diagnosis on a personal level for his friends, family, and The Tragically Hip bandmates, the idea that we wo...
Grief is a strange, personal, and often entirely unexpected reponse to tragedy. It will differ depending on who you are, the point in life you're at, the cause,...
Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and posse...
Let's think about the title to Vivian Qu's sophomore effort Angels Wear White because the meaning goes far beyond the words themselves. On the surface it's simp...
Everyone's family is crazy. Some may seem crazier than others, but that's generally a byproduct of them being less self-conscious. The question we don't ask our...
When Duane Sarcione (Michael T. Weiss) finds himself in the hole with mobster 'The Sledge' (Sam Douglas), he has no choice but to run. It's not a surprising mov...
