The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It's tough to therefore see any entries without comparing t...
The front half of Coralie Fargeat's debut feature Revenge provides audiences the sort of sensory overload that hits like a sledgehammer. You might not think thi...
After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn't know what to expect with director Jason Reitman and writer Diab...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
When director Camille Thoman calls the octogenarians at the center of her documentary The Longest Game charming, she's describing their initial, surface appeal....
The Columbine massacre happened in 1999. It's crazy to think it's been over twenty years because we seem to have a new school shooting every month now. And as t...
It's called All These Small Moments for a reason — one that becomes clear with a final, out-of-nowhere moment of voiceover narration in case you hadn't figured ...
It would be easy to dismiss Nick Reyes, Larry Young, and Tyler Carpenter as three variations on the same thing: poor American youth. The simple fact their stori...
Documentarian Alison Chernick has made a career of profiling artists from Jeff Koons and Matthew Barney in features to Roy Lichtenstein and Rick Rubin in shorts...
There's a great line spoken by an aged Lou Andreas-Salomé (Nicole Heesters) to new friend and potential biographer Ernst Pfeiffer (Matthias Lier) upon his prais...
