Directors Tony Mahony and Angus Sampson's The Mule is not at all what one might expect. The marketing materials draw it up as a B-movie romp, something the invo...
She is not kidding when she says: "To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace." Writer/director ...
Not even the movie that started it all can save the fledgling career of the Farrelly brothers. Despite reading an interview of them speaking about how great the...
The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy...
Many parents aren't going to allow their young children to watch Marvel Cinematic Universe films—they skew older with dark underlying themes and comic book viol...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
Being an embedded photojournalist is a concept I cannot quite wrap my head around. To willingly go into a war zone and risk your life to get a shot, not for pla...
An interesting choice was made on Jack Bryan's film The Living—one that occurred before the camera rolled. If you're familiar with Fran Kranz's emotionally frac...
The easiest thing I could say about The Overnighters is that director Jesse Moss got lucky. He looked to tell the story about a pastor doing God's will against ...
I'm a little disappointed I was never acquainted with Judith Viorst's Alexander and the Terrible, Horrible, No Good, Very Bad Day because it seems exactly the t...
