The fallacy of escape is thinking it's possible to truly leave the past behind. You can travel thousands of miles away and put years in between, but the stuff f...
When a film shot in Buffalo, NY co-written and starring a native of the city comes across you're desk you look upon it with a certain level of skepticism. I've ...
Much like with Stanley Kubrick's The Shining, the job of caretaker isn't an easy one in Mickey Keating's Darling. It should be: combat any prospective upkeep pr...
Most writing on Christian Desmares and Franck Ekinci's April and the Extraordinary World speaks as though they've adapted one of revered Frenchman Jacques Tardi...
Who isn't self-centered? If you find someone, please let me know, because I don't think that person exists. Even when we are at our most compassionate, empathet...
It's proving to be a couple of busy months for legendary director Stephen Frears, fresh off his delightful true-life story Philomena making an Oscar run in ...
Even if Monster Hunt were billed in America with "from Raman Hui, the supervising animator of everyone's favorite DreamWorks player, the Gingerbread Man, and co...
You have to give Max Landis credit for trying to breathe fresh air into Hollywood tropes through his genre-merging scripts, whether you believe they're effectiv...
It begins with the abduction of a girl. The scene is quiet and innocuous until it isn't—a car rolling up to a young girl to ask for directions as children play ...
