The first image of Jafar Panahi’s Taxi, a POV shot looking out through a car’s windshield, immediately calls to mind the opening of his previous film, Closed Cu...
From his very first feature, 1968’s Signs of Life, Werner Herzog has demonstrated a predilection for stories revolving around exceptionally zealous and uncompro...
Film festivals sometimes treasure specific directors for reasons that remain unfathomable to external observers. The Berlinale’s continued advocacy of Isabel Co...
