Something that genuinely can be described as a passion project, the new stop-motion animated film, Mad God has been with legendary visual effects artist Phil T...
Around the inception of Cahiers du Cinéma François Truffaut coined a term, “cinéma de papa,” to describe what he and cohorts sought to rebel against: the domin...
One, perhaps foolishly, comes to a new Adam Sandler picture in the post-Uncut Gems phase of his career with at least some expectations. And one would think his...
Sometimes it can be a little sad to watch a director blatantly make a bid for mainstream American acceptance (or rather future Marvel gig), and in the case of ...
So here we are: another entry in Sony's not-quite MCU, not-quite Spider-Man multi-villain series following the two oddly (but rightly popular) Venom flicks. Ba...
Entering the “likely a money-laundering scheme for Spanish businessmen” part of his European travelogue era, Woody Allen turns uniquely narrow-minded and bitte...
Articulating why it’s easy to agree with writer-director Adam McKay’s politics while disliking his films isn’t so hard. Though a smart man who can hold his own...
Michael Bilandic’s cinema has, over the course of four very small-scale features, staked out a distinct corner in indie film. Focusing on niche interests—be it...
This writer can’t really speak with authority on the Resident Evil game franchise—my only experience was putting down the Wii controller on the fourth installm...
The once-prestigious Jason Reitman has remarked that after five consecutive box office bombs he felt the need to make his own Ghostbusters to finally confront ...
