Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
I’m ...
One of the less public-facing key talents at the most publicly scrutinized animation studio in the world, cinematographer Atsushi Okui joined Studio Ghibli in ...
One of the most popular manga series of all time––one which ran in the same pages as Dragon Ball, Naruto, One Piece, and JoJo’s Bizarre Adventure––has never ac...
It has been two weeks since the passing of Cormac McCarthy, the taciturn Southern gentleman widely regarded as one of the great American novelists of the last ...
Fatally, perhaps, I went into Shin Kamen Rider as a Hideaki Anno fan first and a Kamen Rider fan… not so much. I knew about it, of course: the iconography of t...
About a third of the way through pop-sensation anime auteur Makoto Shinkai’s Suzume (a third, at least, by my rough estimation––time is a flat circle in this s...
On the eve of its 30th birthday, Super Mario Bros.––the 1993 film, not the groundbreaking video game––might be due for critical reappraisal. Dubbed “a complete...
Four decades ago—before he worked with Hayao Miyazaki, before the young artists’ collective he co-founded changed their name from “Daicon Films” to “Studio Gai...
“1995” declares a 1970s-style title card in the opening minutes of Kyle Edward Ball’s Skinamarink, a film presented in fake grain filters meant to suggest the ...
