We are somehow now into the spring season, and while cinemas have been a tad dull (minus a few gems like Love Lies Bleeding, Drive-Away Dolls, and Dune: Part T...
As my 13-year-old son and I browsed a Buffalo, NY, record shop on a recent Saturday morning, his eyes were drawn to two action figures dangling from the wall. ...
Welcome to 2024! This, our first column of the new year, follows our December 2023 piece by offering more 2023 releases that deserve your time and attention.&n...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Many...
This is our last filmmaking books column in 2023, and it’s a good one. Plus, you can watch for even more gems from recent months in our companion column runnin...
In the weeks before the release of The Stones and Brian Jones, Nick Broomfield’s documentary about the first casualty of the Rolling Stones’ rise to prominence...
Summer is long gone and it’s time to look beyond the blockbuster. Our latest study of recent books about or related to the world of filmmaking is full of artis...
The End We Start From, the debut feature from acclaimed television director Mahalia Belo, offers all the standard elements of a drama centered on a near-apocal...
The protagonist of Knox Goes Away, starring and directed by Michael Keaton, is one of the most low-energy hired killers in cinema history. There's reason for t...
There are few actors who command the screen like Kate Winslet, and with Ellen Kuras’ Lee, the thespian has one of her sturdiest roles in years. As tenacious, g...
Christopher Schobert is a Rotten Tomatoes-approved film critic who has written for numerous outlets worldwide and covered film festivals in Toronto, New York, and London. Currently, he writes reviews and features for The Film Stage, writes a monthly cinema column for Buffalo Spree magazine, and discusses film as a regular guest on the Shredd and Ragan radio show on Buffalo’s 97 Rock.
