Though it now seems like the pipedream of a bygone era, there was once a precious time in the not-too-distant rearview mirror of American politics when politic...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Michael Snydel are joined by friend of the show Dan Gvozden to discus...
An official selection at the Tribeca Film Festival and Fantastic Fest, Saban Films has unveiled the first grisly and lurid trailer for their fever dream of a f...
There are a multitude of reasons why any film may get unfairly overlooked. It could be a lack of marketing resources to provide a substantial push, or, du...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Japanese director Hirokazu Kore-eda, coming off of his Palme d'Or winner Shoplifters, is back with The Truth aka La Vérité. The opening selection at this year'...
While its iconic avalanche scene recently set Twitter aflame a few years after it already came out, Ruben Östlund reached a career peak back in 2014 with the d...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertor...
This summer, the next film from Christopher Nolan arrives and this week an (unfortunately disappointing) massive blockbuster is arriving, which means it is pri...
After crafting two of the most vivid, intimate coming-of-age dramas this decade with 2013's It Felt Like Love and 2017's Beach Rats, director Eliza Hittman is ...