Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel, Bill Graham and I discuss the sprightly crime caper The Old M...
Stoking even further the debates about media's boundaries (that we're posting this should signal where we fall), Park Chan-wook enters the prestige-TV game ...
The wait for his Tilda Swinton collaboration, Memoria, is long -- three years since Cemetery of Splendour, seven months since its reveal, at the very least ...
We talk with the director, who jokes about being an “Old Testament God” kind of storyteller, who inflicts reality on her characters, coating the brutal outcomes of their expectations with humor and grace. ...
We talk to the Oscar-winning director about pushing back on what he calls simplistic interpretations of Ida and Cold War, as well as offering his thoughts on populism in Europe and Poland’s controversial Holocaust law....
The prevalence of social media has lent itself to a normalization of portraiture and the gaze, which no longer seems to appreciate the immense detail of the fac...
As soon as Tin's (Zaw Win) tacky shuttle spins his passengers (Cole Burden's Darren and Chris Modrzynski's Dean) away from the picturesque majesty of Niagara Fa...
The Owens family is at a nexus point of chaotic emotions, troubles, and fears thanks to the start of new chapters in their respective lives. Mom (Katherine Wess...
Dr. Leigh Waters (Angell Conwell) has a line of dialogue towards the end of Caretakers that I was desperate to hear since the beginning. She reminds the med stu...
