One of the most powerful cinematic experiences I've had this year is with Khalik Allah's Black Mother, a poetic, spiritual exploration of Jamaica through th...
The excitement around Halloween, un film de David Gordon Green, is higher than most horror sequels-that-aren't-reboots / reboots-that-aren't-remakes, which ...
We may still have two months left in the year, but considering nearly all independent films have already made their debuts, it's time for the 2018 Gotham Aw...
We discuss the films we’ve seen thus far at CIFF–including Ash is Purest White, Transit, Non-Fiction, and more–and about the strange and rewarding experience of attending the festival....
At the 56th New York Film Festival there were titles that have intrigued, beguiled, and challenged viewers, perhaps none more so than Mariano Llinás’ fourteen-hour grand experiment and Orson Welles’ posthumously released film....
Writer-director Jim Hosking seems determined to entertain–and divide. From a segment in The ABCs of Death 2 to his feature debut The Greasy Strangler, it was ma...
Many filmmakers find the need to politicize truths without realizing or believing their existence has already politicized them. There's power in this sort of ma...
