Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Though vastly more moderate than its predecessor, the ultra-violent A Touch of Sin, Jia Zhangke’s Mountains May Depart continues the director’s move away from t...
Traveling down a path quite rare for independent features, especially during the summer, the Sundance hit Dope will be getting a wide release off the bat, g...
It's as if Kurt Kuenne has set a personal goal of making audiences weep. The narrator-writer-director of Dear Zachary hasn't been heard from much since that...
The cancellation of Looking has hardly been an impediment to Andrew Haigh. Mere months after 45 Years premiered at Berlinale to fine notices, the English wr...
There has yet to be a great documentary about education reform. A politicized issue if there was ever one, Greg Whitely, director of Mitt and New York Doll trie...
Amongst the national conversation we’re having about race is a topic a topic often glossed over amongst the conservative talking point of “accountability." Yes,...
“I get things are bad. But what are we doing to fix it?”
Early on in Brad Bird’s Tomorrowland we are treated to a vision of the future that strives for unque...
Gaspar Noé, author of the notorious Irreversible and Enter the Void, has been generating a lot of hype around his fourth feature Love, which at Cannes was large...
It is difficult to equitably handle and deal with particular subject matter in a film without feeling exploitative. Yet David Pablos has managed to walk this fi...
