Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list....
Ahead of its premiere in competition at the 2015 Cannes Film Festival, the trailer for Marguerite et Julien has made its way online. The film, directed by V...
Michel Gondry (Mood Indigo, Eternal Sunshine of the Spotless Mind) recently went back to work, crafting his next film, Microbe and Gasoil, and today brings ...
In what could also be described as a horror film, Welcome to Leith is a truly terrifying portrait of a small town of 24 residents that one day receives an unwel...
While fitting snugly in the overall cohesiveness of Philippe Garrel’s filmography, In the Shadow of Women nevertheless feels like a companion piece to its prede...
Seemingly drawing influence from Xavier Dolan’s Jury Prize-winning Mommy (but certainly not enough to be deemed overly derivative), Emmanuelle Bercot’s La tête ...
It's not often delays, financial dissolutions, and waning interest make a film better, but I don't want to know what Mad Max: Fury Road might have been without ...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
Borrowing its title from Maya Angelou’s poem Nina Simone: High Priestess of Soul, Liz Garbus' What Happened, Miss Simone?, akin to her previous works, incorpora...
Confronting the memory, myth and legend of Beach Boys’ Brian Wilson, Love and Mercy, directed by Bill Pohlad is an often-heartbreaking watch, exploring Wilson’s...
