Kicking off this weekend at New York City's Film Society of Lincoln Center is the 15th annual Film Comment Selects (full details here and here or below), wh...
As the debate continues on whether or not Paul Thomas Anderson's The Master is exploring the world of scientology, the prolific documentarian Alex Gibney is...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
With a confession of a matriarchal murder in the first few moments of the new trailer for Elephant Song, you might think Xavier Dolan directed the drama, bu...
Recently naming one of his features among the best of the decade thus far and another, Sicario, arriving perhaps sooner than expected with a newly minted MP...
I entered the theater expecting McFarland, USA to be a Million Dollar Arm redux with Latinos in place of Indians. What director Niki Caro actually delivered was...
Three decades after its initial reveal, Le Pont du Nord’s unwavering commitment to illustrating Paris becomes an essential element in the importance of Kino’s release....
Ahead of a VOD and theatrical release this April, Ryan Gosling will bring his directorial debut Lost River to the first festival since Cannes, South by Sout...
As far as absurdly dumb, high-concept comedies go, 2010's Hot Tub Time Machine mostly hit its mark, riffing on everything 80's while cramming in as many crude (...
It was only a few weeks when director Neill Blomkamp shared some concept art for a potential new Alien film, but it was unconfirmed if it was in any sort of...
