A funny thing happened at some point in these past few years: Wes Anderson became embraced once more. While America’s tidiest teller of tragicomic stories had n...
Featuring new features from a handful of cinema's greatest auteurs, along with a few well-crafted genre movies, a documentary on one of music's finest bands and another on perhaps the best film we'll never see, it's a stellar month for film....
This is what a copy of a copy looks like. It pretends to be equal to the original—and in some aspects proves to be exactly the same—yet arrives seven years afte...
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, associate editor Nick Newman, writer Danny King and I are joined by c...
While most productions have their ups and downs, few as of late are more public than Community. After creating the show and producing three seasons, Dan Har...
While 12 Years a Slave took home the top prize last night, Gravity earned the most awards overall, Dallas Buyers Club took the acting by storm, and Spike Jo...
Last night, the "In Remembrance" portion of the 2014 Oscars ended with an image of Philip Seymour Hoffman. While many of the deceased artisans and actors th...
The films of Jim Jarmusch are filled with characters that split their time wandering and philosophizing. It's no surprise that production on a Jarmusch-feat...
Has summer started early? Big blockbusters like Divergent, Noah, 300: Rise of an Empire, and Need for Speed are releasing in March—I guess they must therefore be the studios’ lesser box office juggernauts. You know, the ones they aren’t quite sure will earn the bank they had hoped when forking over the cash for production. Tween action/romances did not fare well last year, no one knows who Noah is targeting besides Darren Aronofsky fans, Rise looks like a 300 rip-off, and Need for Speed is, well, exactly what you’d think from a racing video game property. At least some of their posters are pretty …...
After a festival run that began in Cannes, stopped in Toronto, Chicago, AFI, and most recently, Sundance Film Festival, Jeremy Saulnier's revenge thriller w...
