Hou Hsiao-hsien’s Millennium Mambo premiered at the Cannes Film Festival in 2001 to, sadly, so little enthusiasm outside the highbrow crowd that it didn't fina...
With a filmography of muscular acting showcases, patient tempos, and emphasis on brooding atmosphere, it’s evident Scott Cooper has been influenced by the ende...
Near the end of World War II, Sweden––which had managed to remain neutral during the conflict––conducted one of the most successful humanitarian missions of th...
Those seeking an insightful exploration of cinema history in Hollywood’s Golden Age or a nuanced, affecting character study on the lives within this early era ...
The Blue Jean of David Bowie’s 1984 hit was a girl with “a camouflage face,” not unlike the singer and the two personas he splintered into for the song’s video...
“Wow, this is uncomfortable” was my first thought watching Avatar: The Way of Water. James Cameron’s sequel—so long-rumored, delayed, confirmed, delayed, discu...
Andrew Legge's Lola, a faux found footage film that plays with historical and science fiction, gives weight to an emerging idea: could this be the best year fo...
“They don’t make the Gladiator/Braveheart-type movies anymore” is the kind of complaint you'll hear when talking about the state of popular cinema, specificall...
A kind of sequel to his short film Haven, which concerned a radical treatment program that offered drug users free medical-grade heroin, Colin Askey’s Love in ...
Already legends in the remote town of Matsapha, Swaziland, country singers Gazi “Dusty” and Linda “Stones” find a warm welcome in the American south when...
