In a film festival climate which often seeks to grab attention through comparison -- "it’s this year’s that," or, just as often, "it’s this meets that" -- we, o...
It can be said that emerging writer-director Ti West sets a certain expectation, making what some consider to be "anti-horror" films. There's been the '80s feti...
Returning behind the camera after six years of acting, producing, and becoming some kind of public personality, Eli Roth has attained a grand reputation with re...
Billowing curtains, industrial decay, skylines shot in the bright of day that still manage to be ominous -- all the visual trademarks of celebrated genre direct...
To say Southcliffe gets off on the wrong foot would be to realize that beyond the seemingly well-orchestrated images in its opening minutes, there already lies ...
With a film career that includes memorable supporting turns in 80’s blockbusters like Scrooged and the Police Academy franchise, writing and directing dutie...
Known for being one of the forefathers of the mumblecore movement in American independent cinema, as well as a distinctly prolific nature (having completed ...
In trying to think of what contemporary American director supposedly has the most interest in what it is exactly that gets people off (at least outside the real...
Franchises last, but do its creators? The common answer would be no, with Hollywood favouring chewing up and spitting out any creative mind, yet Don Mancin...
Any slasher movie requires a great scream queen, and in the case of Curse of Chucky, it has three of them; Fiona Dourif, Danielle Bisutti and Chantal Quesne...